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By Ollus Ndomu

The African International Magazine feature of Papa Pepe Ndombe Opetum

Pepe (Paul) Ndombe Opetum was one of the pre-eminent vocalists for TP OK Jazz which is arguably the greatest band Africa has ever produced. His voice is one of the most distinctive and can best be described as metallic tenor. Aside from vocals, Opetum was an excellent composer.

Born in 1944 in Bandundu (DR Congo), Opetum started his career with Orchestre Super Fiesta of Kikwit. In 1968 , he joined Tabu Ley’s Afrisa International. It was here that he first made a name for himself as one of the lead vocalists for  the band. In 1972, Afrisa was facing solvency problems and Tabu Ley admitted that he had not payed some musicians for six months. It was against this backdrop that Opetum left the group along with saxophonist Empopo Loway as well as “Moro” Maurice to form Afrizam Band. He enjoyed moderate success with Afrizam which at its height also had a female vocalist in the name of Abeti Masikini.

In 1975, Afrizam was depleted by defections and Opetum received an offer from Franco to join TP OK Jazz along with with Empopo Loway and Mavatiku Visi popularly known as Michelino who had recently left Afrisa. At the time, Franco needed another lead vocalist to replace Sam Mangwana who had just left. It was an offer he could not resist as Franco and TP OK Jazz had already established itself as one of the preeminent bands not just in Zaire but in Africa. He soon established himself as one of the lead singers for TP OK Jazz. He made his presence felt, and composed hit songs such as Mabe yo Mabe and Voyage ya Bandundu.

In 1978, Opetum faced a career setback when he was fired by Franco along with Michelino who was accused of conspiring to form a rival band. Ndombe briefly considered rejoining Tabu Ley’s Afrisa with whom he appeared at a concert in Brazzaville. The firing was a blessing in disguise. During his exile from TP OK Jazz, Franco and several band members received jail sentences for participating in the release of two songs, Helene and Jackie which were deemed filthy by the Zairean government. Franco himself was sentenced to 6 months. Others received 1-2 months jail terms. Later in 1978, Opetum rejoined TP OK Jazz.

It was during the period of the late 1970s and early 1980s that TP OK Jazz was at the very peak of its popularity. Opetum was part of a powerful frontline which had stalwarts like Josky Kiambukuta, Ntesa Dalienst, Djo Mpoyi Kaninda and Lola Checain. He made a name for himself composing memorable songs such as Mawe, a song about beautiful women of the DR Congo’s capital, Kinshasa. There was also another hit “Nayebi ndenge bakolela ngai” in which he described what he would like done when he dies, essentially laying out his funeral arrangements.

The African International Magazine feature of Papa Pepe Ndombe Opetum

He left TP OK Jazz again in 1983. Along with Sam Mangwana, Djo Mpoyi, Lukoki Diatho and his long time friend Empopo Loway, he formed a band known as Tiers Monde Cooperation (3rd world cooperation). That band was however short lived as the restless  Mangwana soon left, living up to his nickname “La Pigeon Voyageur”.

Loway, Mangwana and Opetum

In 1987, Opetum made a surprise return to his old band Africa International where he played second fiddle to Mbilia Bel who had become a star in her own right and Faya Tess.

Opetum returned to TP OK Jazz in 1989. It was then that he composed perhaps his greatest hit while a member of TP OK Jazz. The name of the song was “Anjela” which was recorded shortly before the death of Franco. The song was a hit with audiences in Zaire and all over Africa. In the song, Ndombe plays the part of a man asking a woman with whom he has lost touch to give their lost relationship a second chance.

After the departure of Franco, Ndombe continued to play with TP OK Jazz until the fallout between key band members and Franco’s family which led to the formation of the offshoot Bana OK in 1994. Ndombe along with Josky and Simaro Massiya were the key members of Bana OK which also had former TP OK Jazz members such as Gerry Dialungana, Makosso and Aime Kiwakana.The band was highly successful in its early days, delivering the same quality and memorable hits as TP OK Jazz did.

By the late 90s, Bana OK members were pursuing solo projects. Opetum released his own album, ‘Toucher jouer’, which also featured vocals from other Bana OK members such as Josky and new recruit Shakembo. In 2004, Opetum solo album Bula Ntulu was well received by audiences.

Ndombe had nine children with the most famous of whom being Babi Ndombe who played with Wenge Maison Mer before launching his own career.

Ndombe Opetum passed away on May 24 2012 at the age of 68. Adapted from Rhumba Songs Translations.

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